BHM: How “Lift Every Voice And Sing” Became The Black National Anthem
Brothers James Weldon Johnson and John Rosamond Johnson crafted what started in 1900 as a poem for schoolchildren into an anthem for the ages (LISTEN)
James Weldon Johnson, an NAACP field secretary, civil rights activist, Broadway composer and professor who investigated and spoke out about lynchings in the first decades of the 20th century, also wrote the classic novel The Autobiography of an Ex-Colored Man, first published in 1912.
But perhaps the publication Weldon is best known for was a song he wrote with his brother John Rosamond Johnson.
In 1900, in honor of Tuskegee Institute founder Booker T. Washington as part of a tribute to Abraham Lincoln's birthday, the O.G. Brothers Johnson crafted a poem to be read by 500 schoolchildren entitled “Lift Every Voice and Sing.”
The poem celebrated freedom as it recognized a brutal past never to be repeated. "Lift Every Voice and Sing" was so well received that the brothers set it to music and by 1919 the NAACP dubbed it “the Negro national anthem.” It has functioned in that capacity ever since.
Sung for decades at countless meetings, events, and ceremonies, a 1990 version of the song performed by Melba Moore (which can be heard here on GBN's "Black Americana" playlist ) was entered into the Congressional Record and, in 2016, into the National Recording Registry.
Enjoy Aretha Franklin (whose voice literally was designated an American natural resource) singing the song we might all lift our voices to sing. Full lyrics published below.
Lift every voice and sing
Till earth and heaven ring
Ring with the harmonies of Liberty
Let our rejoicing rise
High as the listening skies
Let it resound loud as the rolling sea
Sing a song full of the faith that the dark past has taught us
Sing a song full of the hope that the present has brought us
Facing the rising sun of our new day begun
Let us march on till victory is won
Stony the road we trod
Bitter the chastening rod
Felt in the days when hope unborn had died
Yet with a steady beat
Have not our weary feet
Come to the place for which our fathers sighed?
We have come over a way that with tears has been watered
We have come, treading our path through the blood of the slaughtered
Out from the gloomy past
Till now we stand at last
Where the white gleam of our bright star is cast
God of our weary years
God of our silent tears
Thou who has brought us thus far on the way
Thou who has by Thy might Led us into the light
Keep us forever in the path, we pray
Lest our feet stray from the places, our God, where we met Thee
Lest, our hearts drunk with the wine of the world, we forget Thee
Shadowed beneath Thy hand
May we forever stand
True to our God
True to our native land
Our native land
Thank you for sharing the beloved history & legacy of the the Johnson brothers and BH upon this 2nd day of BHM! I remember singing LEVAS as a child everyday before class began at school. We need to get back to that. I'll make it my duty to incorporate it in my lessons and programs. What once was a children's poem to being the Black National Anthem... and here we are today educating the world about such honorable literary work. Gratitude!
#thejohnsonbrothers #bhm #lifteveryvoiceandsing
I was privileged to have the final bid on artist Yhayha A. Hargrove's Harmony of Liberty painting in June, 2020. "BAAAR'S ( #thebaaargroup ) artists are donating the proceeds to the COVID-19 Arts & Culture Relief Fund established by CultureWorks, ( #cultureworks ) a nonprofit organization that continues to be a beacon of light and inspiration to Greater Richmond’s impacted artists during this pandemic.
Visit their individual Facebook or Instagram pages now and place a bid in the comments or privately message them. *This 12x12, Acrylic painting on canvas is titled: 'The Harmony of Liberty' by Yhayha A Hargrove Inspired by current events."https://www.instagram.com/yhayha_ah?utm_source=ig_web_button_share_sheet&igsh=ZDNlZDc0MzIxNw==